Wednesday, January 5, 2011

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Interview: XIMENA



XIMENA ARROYO: "We seek a self-representation"

Daughter Actress Sonia Seminar and administrator since 2001 of Amateur Artists Association (AAA), Ximena Arroyo hails from his office, amid the large crowd that asked for information on summer workshops in their space. "Sorry for the delay, but I figured this time would come so people to request reports, said after attending . But far from this being a good sign for the landmark theater, the issue of AAA is quite serious, as Ximena same account, in the cozy local coffee shop where this interview. "We made a strategic alliance with the cultural centers of downtown Lima, as the Underworld and The Experimental School of Mime, compared to the Municipality of Lima to not hinder our work," reported.

The situation of the AAA

move forward as the AAA space is not easy and Ximena is now assuming a great responsibility with that institution. "It's a very big house, pay 800 soles a month of light, water and 500 soles soles of 2.000 means, the place belongs to the Benevolent and rented" . Although in past years the AAA was part of a cultural movement Peruvian elite class not currently supported by the State. "For the public to come to the theater, we have to lower prices or not charge admission in order to gain viewers," he says. "We try to create a demanding public, who can assess the quality shows, that manages to awaken the artistic dimension to every human being."

The space has given Ximena advantages, such as the strength of the same name has. "The AAA was a landmark in the cultural history of Lima", says. "Here is presented the City Ballet, the National Choir, we had greetings from people like Jacques Cousteau, Laurence Olivier, among others." And in that time, the members and founders had many relations and friends abroad, turning the theater into a highly selective institution. "In the 50 and 60, were performed first in the AAA auto sacramental" Ximena as mentioned, this was possible thanks to money contributed by the partners at the time, those currently or have died or are no longer interested in investing in the place. "The most striking example is the current director of El Comercio, Francisco Miro Quesada, his father was a founding member of the theater and now, to this day, simply do not exist. Really the children, or repeat the story or do all the opposite, " says. Disadvantages

maintaining AAA include its location and infrastructure. In the first case, there is still denial in some quarters to go downtown to see theater, and people living in the same area is not linked or educated in the art, the second, temporarily lacks drama Dream Team, although able to purchase a new console 24 channels, of course, self-managed way. AAA currently working illegally as reported Ximena. "We renew the Mutual Aid Agreement with the charities, despite having been provided at no cost to activities Puericultorio at Hostel Canevaro, among others. Eye, we do not want our space free of charge, we pay in work ", sentence.




His works and projects

With a long career as director and actress Ximena Arroyo, won the award for Best Supporting Actress for her performances in Cacúmenes and Loves Don Perlimplín Belisa in his garden by Critical The Office, thinks "a good director should be clear about what it means, where it goes, and who can pass on to their players' . On the other hand, says that "ideal actor must have a purpose, knowing that should find something on stage, everything else is secondary. There are very good actors, but not seeking anything in the scene. " In Cacúmenes, written by Alejandro Alva and released last year in AAA, Ximena featured as an actress and director, but "was mostly an address attached, since the project was led by Hays Percovich."

Among the projects that have Ximena for 2011 include that of directing a classic like Yerma by Federico García Lorca, with text adaptation by Maria Laura Velez, scheduled for the second half of the year. "I like acting and directing alike," said . "As an actress I feel that the scenario is like my home, but when everything is more complicated turn, you get to your players, track and is moving to see how to deliver what you mean." One of the best assemblies that led was Ximena wake function, Aldo Miyashiro, the AAA in 2004, which received rave reviews.

"It's important to see the work of the partner," says Ximena , convinced that only thus can strengthen the bonds between the different groups, groups or independent theater troupes compare their proposals and generate much-needed dialogue . "Do not jump when they play us," says . "The idea is to jump when they plot against the partner, then we can find solutions to our problems." Ximena is also important for the independent theater has a presence in the middle. "The big problem with groups is not clear where they go. In the first call Isil of all leave. Commitment is important and be united in order to gain a representative person " he concludes.

Amateur Artists Association (AAA) is located in Ica Jr. 323 in the center of Lima, to contact management call 428-0432 or write to: aaaasociacion@yahoo.com. All information on workshops, exhibitions and assemblies to be carried out during the year, is posted on the blog: http://aaalima.blogspot.com

Sergio Velarde
January 5, 2011

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ARROYO Interview: RAUL DURAND

RAUL DURAND: "A director should make me salivate"

One of the most complete players in the middle is, without doubt, Raul Durand, who is carrying out a discreet but prolific work as a performer in numerous plays. A recent stagings made was awarded Lock Out, winner of X Peruvian North Theatre Festival and the award for Best Play of 2010 for Critical The Office, written by César Vallejo and directed by Carlos The Rosa. "I had very good teachers of theater," says Raul . "Rocío Antero, Augusto Casafranca, Willy Pinto, especially Lucho Ramirez, Carlos Riboti in two assembly workshops I did with it: Tragic Incas, in which I played Huascar, and Hell, based on The Divine Comedy, both physical assemblies with interesting proposals. " While not a director, it has led workshops and samples for various NGOs work on behalf of amateur actors. Raul

only puts a condition to contribute their talent to a project: "A director has to make me salivate, says without hesitation. "You have to motivate me, should you want to pay to come to trial, he is hungry to work." And for him, a director motivated them, things should be clear and answer any questions submitted to it, otherwise, you lose faith in the project and no risk at all in the project. "There were cases in which the initial proposal was very good but the director does not motivate me, I try to avoid being in those works.

His work on stage

Among the works in which Raúl participated and remember most fondly is contained, in addition to Riboti work, the staging of Hey forever with the group Cuatrotablas . "The assembly did not like at all, but all that generated with the public" he recalls. He claims to have received many positive comments from viewers, and have felt a greater significance in its influence with certain people. "Some viewers told me that thanks to the work they loved to Peru, and others felt that the theater now much more liked," recalls proud.

"And of course, I loved doing Wolf, what are you doing? (family play written and directed by Patricia Denegri) ", through which Raúl won the award for Best Actor 2010 for The Office Critical . "children's theater managers assume that there must be more movement on stage to call the child's intention." For Raul, it was a good opportunity to be physically deployed in the hilarious role of a fleeing feared Wolf Little Red Riding Hood's grandmother, suggesting the movement in space with other actors, always under the management agreement. "I consider myself an actor more resources in children's books," says .

At the moment, Raul is devoting to the tests of the imminent revival of Lock Out in the auditorium of the Alliance Française in the summer, as well as the dictates of a Creativity Workshop to a group of teachers from a nest. "Also I have pending a work in which he would play for Don Quixote, but we are still in talks" , he says. "I have enough flexibility in my time to devote to more projects, I can only wait." And of course, we want to be able to find proposals that pique your interest so you can see this performer more often in the tables. Sergio Velarde


January 5, 2011

Monday, January 3, 2011

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Interview: SAME Betzabeth



Betzabeth same: "Do not be afraid of making theater

majored in communication arts at the Institute Charles Chaplin and his teachers of theater Pilar Núñez, who taught her body language and oral Jorge Villanueva, who shared dynamics between the cast of the AAA and the University of Lima, and Manuel Calderon, who instilled notions of professional theatrical production. She is Betzabeth Misme Award winner for Best Actress for the work group Species Clearance. "I love working in this group," says excited. "We independent theater speaking on topics that are not very common, I think the group Clearance has earned a name in the middle, always seeks to innovate, explore and present in unconventional spaces. "

Betzabeth the group began in 2006 in support of the director Diego La Hoz, who invited her to participate. "I learned a lot of action, dance and drama with Franklin Dávalos and Gonzalo Rodríguez Risco. Like any young man who must learn to survive in our difficult city, had to temporarily leave the theater to pursue other activities away from the performing arts. "However, in 2008 he was back. We made the group A war is not fought Sara Joffré and support in acting workshops, "says .

The work Species About

Species, by a vote winner as Best Play of 2010 in Blog Critical The Office, as well as a participant in the National Show to be held in Trujillo this year, Betzabeth described as documentary theater. "The actors (Omar Del Aguila, Joseph Palomino, Johnatan Oliveros and the same Betzabeth) interpret different cases of pedophilia for public awareness of the problem," says the young actress, who also notes that this work differs from the others, because he never says whether you are for or against the situation, leaving the public the last word.
With Omar Del Aguila, Palomino and Johnatan Joseph Oliveros.

"My character is a woman named McCarthy, who started a nursery and planned together with his entire family on abuse of children," says Betzabeth , who with the work he visited many remote places in the cones and received many comments viewers, who felt identified with the stories. "After the function, we organized forums to hear from people also sent us letters and written testimony, it is important to show strong themes, as many people are identified and played for them."

Stage Theatre born

Thanks to all the learning from these years, Betzabeth is dedicated today to push through their own cultural center. "Y located at my home, I have so much free space asked me one day: Why not promote theater in my community?". And so was born Stage Theatre, located on extension 8805 Javier Prado Ate Los Portales, and which seeks not only to decentralize Betzabeth theater, but also to promote the performing arts in Ate, believing that they are still very low.

"Do not be afraid to theater, he is very grateful," said this enterprising young man who is not afraid to devote 100% to your passion. "I have to thank the group Free Space, which has given me full support and is committed to give me a hand and thus get more people in Ate Vitarte have culture." Thank Betzabeth and other young artists, keep the theater alive, win new fans and encourage creativity in every corner of our country. Any report on Stage Theatre email: caja_escenica@hotmail.com . Sergio Velarde


January 3, 2011