A GIFT JUAN IN HELL: Cattone never disappoints
Can consider Cattone and eternal Osvaldo Marsano theater as a pillar of our independent theater? Understanding the term "independent" as the control all by an artist about his work, as they are. Since the 70's Teatro Marsano has been presented, with varying degrees of success, a range of entertainment of all caliber: dramas, comedies, musicals, but always with the unmistakable stamp of the Argentine actor and director, who becomes certainly in an example of dedication and sacrifice to his greater calling: the performing arts. And despite having some critics, and a number of followers, it is undeniable that Cattone theater has survived throughout history in good shape, despite strong competition from some rooms.
"A Don Juan in Hell" , piece Argentine playwright Luis Agustoni, places us at the scene hidden in the eyes of the viewer who comes to see a play: the clubhouse, where they aired the intimacies of the actors, in this specific case, the fall play's protagonist Don Juan. The strained relationship with his wife and son, complicity with the wizard, his love affairs with the leading lady and the betrayal of his friend, producer, are some situations that we participate in full theater. The narcissism of the actor fires the drama, if convincing is the strong performance experienced Cattone, who exudes vitality and charisma along the assembly.
During his long career, Cattone always been known for playing characters arrogant, sexist, unfaithful, pedantic and godlike, and in this work gives life to anything less than a superb actor, sexist, unfaithful, pedantic and deified. For this reason it is not surprising that, like a fish in water, Cattone become the big star of the assembly, overshadowing the rest of the cast. Perhaps only Alcóver Regina, Ivonne Fraysinnet, Sonia Oquendo and even Anali Cabrera to give the exact replica of the stage, as in this case or Sandra Bernasconi, and Nicolas Galindo, and Haydee Caceres and Maria Aguirre, and Paul Martin (then order), are at their height, despite their efforts. "A Don Juan in Hell" quintessentially Cattone as an actor, served with a stunning display of theatrical Chalo Gambino and refinement Arana Makhy production. Cattone never disappoints and this seems to be the watchword of this iconic figure of our national theater.
Sergio Velarde
February 14, 2011
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