Gabriel Fernandez: "A good director should criticize a lot,"
Winner of the public Best Actress of 2010 for the work The orgy in Critical The Office, Gabriela Fernandez said that before entering the ENSAD, graduated in Communication Sciences at the University San Martin de Porres in 1996. "At that time there were problems of terrorism, so first I ended up in the San Martin and then went to School , Gabriela remembers, artist graduated in 2000, which had as classmates Bajac Sandra, Omar Del Aguila, Cesar Andrade and Richard Torres. "I decided then that first, I wanted to have a son to the theater."
One of the teachers you remember most fondly is the master Sergio Arrau. "I think what I liked most was his way of teaching, without feeling that I was teaching, directing, without feeling that you are heading" said. "He is so detached of formality, so fresh, so real and not at all condescending. " It is known Arrau's character as a teacher, who without "outspoken" talks openly to her students. "divided the room into two groups: those Pencas and clunkers" , recalls fun. "Pupi For work in search of the lost doll assigned me a role with very little time before the premiere. I was flattered and scared at the same time, I felt gave me his trust. "
"Yes there has been progress in the ENSAD" says Gabriela on the current situation National School of Drama, which he joined while still working in the uncomfortable space of the Museum of the Nation. "On entering they told me that for many years the School was something else, that the state supported" said. "Today, now in The Shack, I have been surprised to find actors with great discipline and demand with their work, attitudes obviously, but that question all the time." She served as assistant director in the School theater project The dark root cry, which was presented at festivals in Lima, Callao and Cusco year past.
actress Gabriela is considered more than a director, while acknowledging that in Huancayo in 2006 came to lead, as samples of workshops, no less than 42 mounts. "It was a marathon," recalls. "At least I got to get out of all, a couple of great plays." As expected, Gabriela put into practice the knowledge acquired Arrau, using his now famous Instructor Manual to try different ways of running. "Acting and directing at once is too much responsibility" , comments on the work dream and nightmare, for which convened Arturo Fernandez to lead and to give the possibility to interpret the work Gabriela with Omar Del Aguila. "I respect those who can do both, I think you should have a lot of" court "and self-confidence."
To Gabriela, a great director must ensure that the actor understands the essence of the work. "It must make you understand the impulse that takes you from point A to point B" said. "I need a demanding director, let me try a lot, I criticize a lot." Gabriela had the opportunity to work with directors with a very particular style, Daniel Dillon as mounting Roberto Zucco. "It was quite an experience, Dillon left us very loose and asked me to forget everything when you tried to act out." Gabriela not close to working with any director and thinks that every play should be "organic, for us to enjoy the actors and the public" .
Gabriela currently part of the Cultural Trust Company, composed of theater groups at any cost, MACUEM and broken shoes. "We joined at the beginning to bring theater to the affected areas after the earthquake in Ica. The idea of \u200b\u200bforming a network and take to the theater as a business, Gabriela has served for its work with a social vision. "We are now looking for work to work this year, provided autocapacitándonos, and expect to make a montage in tribute to Mario Vargas Llosa" he concludes.
Sergio Velarde
January 23, 2011
Gabriela in the work the orgy.
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